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In 1994, Cretu was sued by Munich-based choir Kapelle Antiqua and its record label, Polydor Germany for infringing its "right of personality" through distortion in the samples used in "Sadeness (Part I)" and "Mea Culpa". While the musical composition was in the public domain, the recording by Kapelle Antiqua was copyrighted. European law also recognizes moral rights (droit moral) in works that American copyright does not. Cretu was not spared over the issue of sampling when in 1998, Kuo Ying-nan and Kuo Hsiu-chu from Taiwan's Ami tribe filed a suit over uncredited vocals in "Return to Innocence". Both of the lawsuits have since been settled, but besides compensation and acknowledgement on the source of samples on both lawsuits, the anonymity that Cretu intended to keep after the release of the first album was shattered due to the first lawsuit. The samples used in the production of the third and fourth studio album, Le Roi Est Mort, Vive Le Roi! and The Screen Behind the Mirror were credited properly and Cretu's fifth album, Voyageur contained no samples at all.

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